Political Posters in Central and Eastern Europe 1945 95

Art . The Logic of the Formation of Socialist Art in the Era of Print , 18 : 1 ( 1991 )
53 . Capitalism ' ... See W . J . T . Mitchell , “ The 27 Quoted by Margarita Tupitsyn
, ' From the Politics of Montage Violence of Public Art ' , in W . J . T . Mitchell ( ed .
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Political Posters in Central and Eastern Europe  1945 95

Political Posters in Central and Eastern Europe 1945 95

The political poster was one of the most widely discredited and closely policed aspects of cultural life in the former Communist Bloc. As a weapon in an ideologically defined social struggle for human emancipation and as a medium of critical engagement, the poster had a decisive political and social status it could never aspire to in the West.

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Political Posters in Central and Eastern Europe, 1945-95
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The political poster was one of the most widely discredited and closely policed aspects of cultural life in the former Communist Bloc. As a weapon in an ideologically defined social struggle for human emancipation and as a medium of critical engagement, the poster had a decisive political and social status
The Everyday Practice of Public Art
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Museums and public art have traditionally taken significantly different approaches to customer engagement, but throughout history they have also worked together in some urban contexts, notably as landmarks of so-called cultural districts. Public Art and Museums in Cultural Districts reviews their changing interactions in many different types of cities since
Chicago, the City and Its Artists 1945-1978
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Who's Who in American Art 2001-2002
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