Steel Chair to the Head

Steel Chair to the Head provides a multifaceted look at the popular phenomenon of pro wrestling.

Steel Chair to the Head

Steel Chair to the Head

The antagonists—oiled, shaved, pierced, and tattooed; the glaring lights; the pounding music; the shouting crowd: professional wrestling is at once spectacle, sport, and business. Steel Chair to the Head provides a multifaceted look at the popular phenomenon of pro wrestling. The contributors combine critical rigor with a deep appreciation of wrestling as a unique cultural form, the latest in a long line of popular performance genres. They examine wrestling as it happens in the ring, is experienced in the stands, is portrayed on television, and is discussed in online chat rooms. In the process, they reveal wrestling as an expression of the contradictions and struggles that shape American culture. The essayists include scholars in anthropology, psychology, film studies, communication studies, and sociology, one of whom used to wrestle professionally. Classic studies of wrestling by Roland Barthes, Carlos Monsiváis, Sharon Mazer, and Henry Jenkins appear alongside original essays. Whether exploring how pro wrestling inflects race, masculinity, and ideas of reality and authenticity; how female fans express their enthusiasm for male wrestlers; or how lucha libre provides insights into Mexican social and political life, Steel Chair to the Head gives due respect to pro wrestling by treating it with the same thorough attention usually reserved for more conventional forms of cultural expression. Contributors. Roland Barthes, Douglas L. Battema, Susan Clerc, Laurence de Garis, Henry Jenkins III, Henry Jenkins IV, Heather Levi, Sharon Mazer, Carlos Monsiváis, Lucia Rahilly, Catherine Salmon, Nicholas Sammond, Phillip Serrat, Philip Sewell

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Steel Chair to the Head
Language: en
Pages: 379
Authors: Nicholas Sammond
Categories: Sports & Recreation
Type: BOOK - Published: 2005-01-13 - Publisher: Duke University Press

The antagonists—oiled, shaved, pierced, and tattooed; the glaring lights; the pounding music; the shouting crowd: professional wrestling is at once spectacle, sport, and business. Steel Chair to the Head provides a multifaceted look at the popular phenomenon of pro wrestling. The contributors combine critical rigor with a deep appreciation of
Birth of an Industry
Language: en
Pages: 400
Authors: Nicholas Sammond
Categories: Performing Arts
Type: BOOK - Published: 2015-08-27 - Publisher: Duke University Press

In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations
Warrior Lovers
Language: en
Pages: 98
Authors: Catherine Salmon, Donald Symons
Categories: Psychology
Type: BOOK - Published: 2003-01-01 - Publisher: Yale University Press

"The stark contrasts between romance novels and pornography - both multi-billion-dollar global industries - underscore how different female and male erotic fantasies are. These differences reflect human evolutionary history and the disparate selection pressures women and men experienced, say the authors of this thought-provoking book. Catherine Salmon and Donald Symons
Icons of Power
Language: en
Pages: 298
Authors: Nicholas J. Saunders
Categories: Art
Type: BOOK - Published: 1998 - Publisher: Psychology Press

Icons of Power investigates why the image of the cat has been such a potent symbol in the art, religion and mythology of indigenous American cultures for three thousand years. The jaguar and the puma epitomize ideas of sacrifice, cannibalism, war, and status in a startling array of graphic and
Babes in Tomorrowland
Language: en
Pages: 484
Authors: Nicholas Sammond
Categories: Social Science
Type: BOOK - Published: 2005-06-29 - Publisher: Duke University Press

Linking Margaret Mead to the Mickey Mouse Club and behaviorism to Bambi, Nicholas Sammond traces a path back to the early-twentieth-century sources of “the normal American child.” He locates the origins of this hypothetical child in the interplay between developmental science and popular media. In the process, he shows that

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