Witness to the Fifties

Anyone moved by the incredible social upheaval and expansion that occurred in cities across the nation in the 1950s following years of depression and war will want to have this collection.

Witness to the Fifties

Witness to the Fifties

Initially commissioned to record the progress of Pittsburgh’s Renaissance I, these unforgettable black-and-white photographs of Roy Stryker's Pittsburgh Photographic Library (PPL) capture the city in a state of flux. They reveal a union of opposites—the suited wonderment of the downtown businessman with the easy grace and competence of a shirtless construction worker balanced high over his head; the anonymity and isolation of planned housing with the belief in expansion and renewal; the energy and excitement of a city on the move with the traditions of the established elite; the juxtaposition between the growing optimism about the ability of technology to improve our lives; and the traditional steel and other heavy smokestack industries that still dominated the region. The Renaissance was seen as a way for Pittsburgh to keep abreast of modern urban life and to preserve its economic position, but the rapid development of a white suburban middle class was sapping the very essence of the personalized downtown neighborhoods. These photographers have captured the convergence of destruction and rejuvenation that is the essence of an urban renaissance—all the anxiety and hope of the decade is reflected in these poignant photographs. Constance Schulz's fascinating essay on the story of the PPL, in order to present a full picture of the political and civic goals, achievements, and failings of the project, provides a thorough discussion of the background of the Pittsburgh Photographic Library, putting into perspective the Allegheny Conference's purpose for initiating the PPL, Roy Stryker's own vision and work, as well as those of the photographers who worked for Stryker on the project, and the politics that undermined the full implementation of it. Clark M. Thomas's accompanying narrative offers an eclectic range of facts and fascinating bits of the city's history and neighborhood lore, as well as noting important political and economic episodes. It also provides a glimpse into the often underrepresented lives of minorities and women in the region's development. Anyone moved by the incredible social upheaval and expansion that occurred in cities across the nation in the 1950s following years of depression and war will want to have this collection.

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Colwyn Bay In The 1950s
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Pages: 96
Authors: Graham Roberts
Categories: History
Type: BOOK - Published: 2014-10-15 - Publisher: Amberley Publishing Limited

From austerity to the start of the swinging sixties
The Fifties
Language: en
Pages: 96
Authors: Mary Ellen Sterling
Categories: History
Type: BOOK - Published: 1998-01-01 - Publisher: Teacher Created Resources

Books about The Fifties
The Cambridge Companion to John Updike
Language: en
Pages:
Authors: Stacey Olster
Categories: Literary Criticism
Type: BOOK - Published: 2006-04-06 - Publisher: Cambridge University Press

John Updike is one of the most prolific and important American authors of the contemporary period, with an acclaimed body of work that spans half a century and is inspired by everything from American exceptionalism to American popular culture. This Companion joins together a distinguished international team of contributors to
Mellon Square
Language: en
Pages: 160
Authors: Susan Rademacher
Categories: Architecture
Type: BOOK - Published: 2014-11-18 - Publisher: Chronicle Books

The second volume in our Modern Landscapes series examines the evolution of Pittsburgh's first modern garden plaza. Completed in 1955 from a design by the acclaimed landscape design firm Simonds & Simonds and architects Mitchell & Ritchey, Mellon Square functioned as an urban oasis that provided downtown office workers a
Counter-revolution of the Word
Language: en
Pages: 448
Authors: Alan Filreis
Categories: Literary Criticism
Type: BOOK - Published: 2012-09-01 - Publisher: UNC Press Books

During the Cold War an unlikely coalition of poets, editors, and politicians converged in an attempt to discredit--if not destroy--the American modernist avant-garde. Ideologically diverse yet willing to bespeak their hatred of modern poetry through the rhetoric of anticommunism, these "anticommunist antimodernists," as Alan Filreis dubs them, joined associations such

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